Thiago Martins De Melo

O Suplício do Bastardo da Brancura
Gallery of Thiago Martins De Melo
3 Pictures

Gallery of Thiago Martins De Melo

3 Pictures

Tupinambás, Léguas e Nagôs guiam a libertação de Pindorama das garras da quimera de Mammón Tupinambás, Léguas e Nagôs guiam a libertação de Pindorama das garras da quimera de Mammón O Suplício do Bastardo da Brancura
Tupinambás, Léguas e Nagôs guiam a libertação de Pindorama das garras da quimera de Mammón
Tupinambás, Léguas e Nagôs guiam a libertação de Pindorama das garras da quimera de Mammón 2013

Thiago Martins de Melo obsessively paints the narratives of his wife’s frequent and politically committed dreams, compounding their content with self-portraits and thoughts personal. In there sulting visual narratives, universal symbols and cultural representations of the ethereal, the virile and the sexual coexist wildly yet realistically on large format canvases. Painted collage, layers upon layers, memories and interpolated fragments all contribute to the aesthetics of voluntary excess with which Thiago Martins de Melo catches the flashes of wit, the dream memories and the lattice work of formal vocabulary that has its source in different Brazilian cultures.

La Sucrière


49 quai Rambaud
69002, Lyon


Comment y aller
Tupinambás, Léguas e Nagôs guiam a libertação de Pindorama das garras da quimera de Mammón
Tupinambás, Léguas e Nagôs guiam a libertação de Pindorama das garras da quimera de Mammón 2013

Thiago Martins de Melo obsessively paints the narratives of his wife’s frequent and politically committed dreams, compounding their content with self-portraits and thoughts personal. In there sulting visual narratives, universal symbols and cultural representations of the ethereal, the virile and the sexual coexist wildly yet realistically on large format canvases. Painted collage, layers upon layers, memories and interpolated fragments all contribute to the aesthetics of voluntary excess with which Thiago Martins de Melo catches the flashes of wit, the dream memories and the lattice work of formal vocabulary that has its source in different Brazilian cultures.

La Sucrière


49 quai Rambaud
69002, Lyon


Comment y aller
O Suplício do Bastardo da Brancura
O Suplício do Bastardo da Brancura 2013

Thiago Martins de Melo obsessively paints the narratives of his wife’s frequent and politically committed dreams, compounding their content with self-portraits and thoughts personal. In there sulting visual narratives, universal symbols andcultural representations of the ethereal, the virile and the sexual coexist wildly yet realistically on large format canvases. Painted collage, layers upon layers,memories and interpolated fragments all contribute to the aesthetics of voluntary excess with which Thiago Martins de Melo catches the flashes of wit, the dream memories and the lattice work of formal vocabulary that has its source in different Brazilian cultures.

La Sucrière


49 quai Rambaud
69002, Lyon


Comment y aller