Aleksandra Domanovic

Untitled
Gallery of Aleksandra Domanovic
3 Pictures

Gallery of Aleksandra Domanovic

3 Pictures

Untitled Untitled Untitled
Untitled
Untitled 2013

In an inversion of the classic printing set-up (wherethe graphic information is printed on a flat surface), Aleksandra Domanovi ’s images are printedon the edges of piles of A4 paper standing on theirside. Time is an integral factor of her works, not just because it takes a long time to print them but also because they are physical manifestations of time. The duration of a video-clip or performance dictates the height of the pile Domanovi must make: “1 imageper second” becomes “1 page per pile”. Every pageis numbered – and every page is a fragment of time. An image, a story and a film thus become delicate time sculptures through which the artist relates the wounds of history: particularly those that are cured by collective denial or unifying festivities.

La Sucrière


49 quai Rambaud
69002, Lyon


Comment y aller
Untitled
Untitled 2013

In an inversion of the classic printing set-up (wherethe graphic information is printed on a flat surface), Aleksandra Domanovi ’s images are printedon the edges of piles of A4 paper standing on theirside. Time is an integral factor of her works, not just because it takes a long time to print them but also because they are physical manifestations of time. The duration of a video-clip or performance dictates the height of the pile Domanovi must make: “1 imageper second” becomes “1 page per pile”. Every pageis numbered – and every page is a fragment of time. An image, a story and a film thus become delicate time sculptures through which the artist relates the wounds of history: particularly those that are cured by collective denial or unifying festivities.

La Sucrière


49 quai Rambaud
69002, Lyon


Comment y aller
Untitled
Untitled 2013

In an inversion of the classic printing set-up (wherethe graphic information is printed on a flat surface), Aleksandra Domanovi ’s images are printedon the edges of piles of A4 paper standing on theirside. Time is an integral factor of her works, not just because it takes a long time to print them but also because they are physical manifestations of time. The duration of a video-clip or performance dictates the height of the pile Domanovi must make: “1 imageper second” becomes “1 page per pile”. Every pageis numbered – and every page is a fragment of time. An image, a story and a film thus become delicate time sculptures through which the artist relates the wounds of history: particularly those that are cured by collective denial or unifying festivities.

La Sucrière


49 quai Rambaud
69002, Lyon


Comment y aller